Turner in Tottenham
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  • Home
    • Background
    • John Ruskin & Windus Collection >
      • Two Turner Collectors; Friends of Ruskin
    • Visitors to the Collection
    • Windus Auctions >
      • Christie's June 1842
      • Christie's June 1853
      • Christie's March 1859
      • Christie's July 1862
      • 1868 Sale after Windus death
    • Images and credits
    • Thanks
  • JMW Turner
    • The Windus Turner Collection >
      • Picturesque views >
        • England and Wales >
          • Charles Heath
          • Carisbrooke Castle
          • Richmond from the moors
          • Straits of Dover
        • Southern Coast >
          • Brighthelmston, Sussex
      • The Epicurean
      • Finden's Lord Byron
      • The Keepsake
      • Walter Scott >
        • Abbotsford
      • Later large watercolours
      • Marine Views (unpublished series)
    • Turner collection recreated >
      • Frames
      • Still framed?
      • The Windus Commissions
    • Turner oil paintings in the Collection >
      • Calais sands
      • The Tondos
      • Going to the ball
      • Later paintings
    • Letters to Windus
    • Turner Bequests: Henry Vaughan
    • Twickenham home
    • The Eccentric Mr Turner
    • Talks on Turner in Tottenham
  • PRB
    • Ford Madox Brown
    • Holman Hunt
    • Millais
    • Rossetti
    • Ruskin and the PRB
  • & Others
    • Blake
    • Frederick Leighton
    • Thomas Girtin
  • BG Windus
    • The Library
    • Family & inheritance >
      • Ansley Windus
      • Thomas Windus
    • Landowner
    • Places >
      • All Hallows >
        • William Bedwell
      • Holy Trinity
      • Old Well, Tottenham Green
      • Tottenham High Cross
      • Rodmell, East Sussex
    • People >
      • EH Baily RA
      • John Constable
      • Rowland Hill
      • William Hobson >
        • Defence of the Realm
      • Luke Howard
      • Priscilla Wakefield
Picture
Lake of Lucerne from Brunnen 1845 Image courtesy Indianapolis Museum of Art
The Swiss town of Brunnen sits at the midpoint of the long shoreline of the Lake of Lucerne. It was one of Turner’s favorite vantage points from which he could look to the right down the arm of the lake toward Lucerne, and to the left in the direction of Fluelen. Directly across the lake rose the high cliff of the Seelisberg and beyond it, the higher Alps. Turner made his final watercolor sketches at Brunnen on his last trip to Switzerland in 1844 and from one of those he made this larger and more finished version in 1845 on commission from his patron Benjamin Godfrey Windus.  Indianapolis Museum of Art
Picture
A Fete Day in Zurich, Early Morning 1845 Kunsthaus Zürich
When Turner travelled up the Rhine into Switzerland in the summer months of 1841/42 and visited Zurich, his fame in the English art trade was based chiefly on his book illustrations and topographical series. Working from on-the-spot sketches, he produced so-called “sample studies” for private clients. The “Fete Day” is the second of the two Zurich panoramas that he produced in the 1840s, both depicting the local populace in the foreground drawn as if by magic to the lake and the light. It was painted in 1845 for the English collector B.G. Windus and has been in the possession of the Kunsthaus Zürich since 1976.
Kunsthaus Zürich

The Windus Commissions


JMW Turner had not accepted any commissions from BG Windus despite requests over the years, as he depended on his patron buying works which he had already painted.  However he finally accepted a commission from BG Windus in 1844 – 1845 when the two were reconciled after a falling out.

The two paintings were Lake of Lucerne from Brunnen 1845 and A Fete Day in Zurich, Early Morning 1845, and cost 80 guineas each.

BG Windus later presented the two drawings to his son and daughter.

John Ruskin was not impressed by A Fete Day in Zurich which was offered to him by William Edward Windus before he sold it in 1858.  But he was keen to buy the Lake of Lucerne painting from Mrs de Putron; he had earlier asked BG Windus to give him first refusal, if he should ever be tempted to part with it.  However by then the price was too high and the painting was sold to a picture dealer for £420 in 1865.
From The Windus Papers - Turner, Ruskin and the Pre-Raphaelites - sold at Bonhams in 2009.
Further letters from JMW Turner to BG Windus including:
From The Windus Papers - Turner, Ruskin and the Pre-Raphaelites - sold at Bonhams on24 March 2009
This letter from JMW Turner to BG Windus refers to commissions and a falling out between patron and painter:

'an especially important account of how he sought commissions on and subsequently worked-up the late Swiss watercolours [including the celebrated Rigi views]'

My inadvertance arose in this way - Mr G. offered and it appears to me the shortest way for to ascertain how far my employ for my own use, when out upon my Summer trips, might be made on approval of by my admiring friends: in being carried on or left, in their chance state when done from Nature thus, for instance 20 were selected, but it turns out that they could not be uniform by size and work without being carr[ied] forward and therefore it struck me the best way would be to take fresh pieces of paper of a uniform size and follow the same idea and keep the original sketch in its primitive state. - hence by progression said paper became the Drawings but took so much time that the 20 were reduced to 10... I did certainly not point out any mode for Mr G. because I thought of every thing being equally and clear, open to all opinions and hoped an inward satisfaction of knowing or feeling that while previously trying to please myself subsequently to please my friends - so my dear Sir remove the land-mark of your displeasure and let us all three be right again..."

Mr G refers to the agent Thomas Griffith

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Picture