Turner in Tottenham
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  • Home
    • Background
    • John Ruskin & Windus Collection >
      • Two Turner Collectors; Friends of Ruskin
    • Visitors to the Collection
    • Windus Auctions >
      • Christie's June 1842
      • Christie's June 1853
      • Christie's March 1859
      • Christie's July 1862
      • 1868 Sale after Windus death
    • Images and credits
    • Thanks
  • JMW Turner
    • The Windus Turner Collection >
      • Picturesque views >
        • England and Wales >
          • Charles Heath
          • Carisbrooke Castle
          • Richmond from the moors
          • Straits of Dover
        • Southern Coast >
          • Brighthelmston, Sussex
      • The Epicurean
      • Finden's Lord Byron
      • The Keepsake
      • Walter Scott >
        • Abbotsford
      • Later large watercolours
      • Marine Views (unpublished series)
    • Turner collection recreated >
      • Frames
      • Still framed?
      • The Windus Commissions
    • Turner oil paintings in the Collection >
      • Calais sands
      • The Tondos
      • Going to the ball
      • Later paintings
    • Letters to Windus
    • Turner Bequests: Henry Vaughan
    • Twickenham home
    • The Eccentric Mr Turner
    • Talks on Turner in Tottenham
  • PRB
    • Ford Madox Brown
    • Holman Hunt
    • Millais
    • Rossetti
    • Ruskin and the PRB
  • & Others
    • Blake
    • Frederick Leighton
    • Thomas Girtin
  • BG Windus
    • The Library
    • Family & inheritance >
      • Ansley Windus
      • Thomas Windus
    • Landowner
    • Places >
      • All Hallows >
        • William Bedwell
      • Holy Trinity
      • Old Well, Tottenham Green
      • Tottenham High Cross
      • Rodmell, East Sussex
    • People >
      • EH Baily RA
      • John Constable
      • Rowland Hill
      • William Hobson >
        • Defence of the Realm
      • Luke Howard
      • Priscilla Wakefield

Richmond from the moors

Picture
Richmond from the moors by JMW Turner © Fitzwilliam Museum
Richmond from the moors has been identified as having been in the Windus collection from the painting of the Library at Tottenham by John Scarlett Davis. It was donated by John Ruskin to the Fitzwilliam Museum, Cambridge.

The Fitzwilliam Museums’ collection of watercolours by J.M.W. Turner was founded in 1861 by the generous gift of twenty-five watercolours from John Ruskin, Turner’s most fervent champion and critic.  Richmond from the moors by JMW Turner was shown in the Ruskin’s Turners exhibition at the Fitzwilliam Museum in 2015 which included watercolours made for engraving, book illustration and vignettes, as well as landscape watercolours. The restrictions which Ruskin imposed on the terms of his gift mean that these drawings may not be lent outside the Museum.
In JMW Turner RA: Line Engravings on copper, by W G Rawlinson (Macmillan, 1908) describes the painting, and the engraving process by JT Willmore:
The town in mid-distance to left, seen from high ground; the Castle conspicuous in light. A reach of river low on right, flowing between hills. Girl playing with dog in foreground.
Engraver’s Proofs. Without any letters. One touched by Turner. B.
First Pub. State. In centre, “Eng” by J. T. Willmore from a drawing by J. M. W. Turner RA.” Before Title, etc.
Second and Later States. As Bievaulx Abbey, No. 209, but with Date, March 1, 1828.
This Drawing is in the Fitzwilliam Museum at Cambridge.
This is probably the finest of Turner’s many renderings of Richmond, Yorkshire.

Ruskin in Modern Painters sketched Richmond from the moors and noted that:
… it is the outline only of a group of leaves out of Turner’s foreground in the Richmond from the Moors, of which I give a reduced etching, Plate 61 [see below],  for the sake of the foreground principally, and in Plate 62 [see below], the group of leaves in question, in their light and shade, with the bridge beyond. What I have chiefly to say of them belongs to our section on composition; but this mere fragment of a Turner foreground may perhaps lead the reader to take note in his great pictures of the almost inconceivable labor with which he has sought to express the redundance and delicacy of ground leafage.
Picture
Plate 61 Richmond from the moors
Picture
Plate 62 By the Brookside



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